Mapping the Origins
What began as an academic inquiry into exploring the colonial afterlives of cultural fashion grew into something I never fully anticipated — a living, breathing brand that would take me from a research project to runways in New York, Chicago, and beyond, with international features reaching Pakistan, Thailand, and Japan. Naranji was born from a personal reckoning: with the cultures I was taught to leave behind, with the gender conventions I was expected to inhabit, and with a fashion industry that too often mistakes beauty for conformity and culture for costume. Here, I invite you into glimpses of that journey — what transpired behind the scenes, what made it into the spotlight, and the possibilities that emerged.
My design practice begins at the threshold — where the body meets cloth, where ancestral traditions blend with contemporary silhouettes, and where beauty refuses the boundaries meant to contain it. I work with adornment as a language: one that can speak across gender confines, trouble the colonial inheritances embedded in how we dress and who we dress for, and reclaim what it means to be seen on our own terms. This is the essence of Naranji: fashion that sets you free.
Liberation by Design
Beyond the Binary
Weaving Patterns
At the heart of Naranji's visual language is a practice of pattern-making that sits at the intersection of code and culture. I use generative art processes to design the prints and motifs that live on each garment, drawing from cultural archives and traditional craftwork, then transforming them iteratively through computational methods such as visual noise and fractal diffusion. The result is a visual language that folds time: honoring what has been carried across generations while bending it toward futures not yet imagined.
On the Runway
What Lies Ahead
I am still in the middle of this story and honestly, that is where the most interesting things happen. Naranji is currently in a state of flux, waiting for its next evolution, its next collaborator, its next iteration. This has always been a journey more than a destination: one that began with a question about culture and clothing, and has taken me further than I ever imagined. If something here moves you, reach out. The next chapter is still being written.